Four new choreographers present diverse performances at Sadler’s Wells, exploring themes of adolescence, mental health, climate anxiety, and resilience.
In an eagerly anticipated event, Sadler’s Wells in London is set to showcase “Four,” a new production featuring the talents of four emerging choreographers: Elisabeth Mulenga, Blue Makwana, the duo Roseann & Sula, and Maiya Leeke. As part of the Sadler’s Wells Young Associates programme, these artists are supported through financial aid, mentoring, training, and the opportunity to present their work on a prestigious stage over a two-year period.
The performance, scheduled for debut on 15th October, promises a diverse amalgamation of styles and themes, each reflecting the unique backgrounds and artistic visions of its creators. These choreographers offer insight not only into their creative processes but also into the wider cultural narratives their work engages with.
Elisabeth Mulenga explores the complexity of adolescence and spirituality in her piece. With inspiration drawn from her Christian upbringing, non-naturalistic cinema, and gothic cathedrals, her work delves into the sometimes tumultuous relationship individuals have with religious beliefs and personal relationships. The performance features dance artists Kirke Gross, Magnus Westwell, Steffi Fashokun, and Adhya Shastry bringing to life Mulenga’s vision of an “obsessive relationship with God” and themes of grief.
Blue Makwana, a dance artist of South Asian and Caribbean descent, introduces “TOASTED,” a piece reflecting the damaging effects of blacklisting within society. This work addresses the mental health ramifications for those affected by this practice, aiming to illuminate the destructive potential of such social dynamics without proposing concrete solutions.
The collaborative duo Roseann & Sula present “DUGMEAT,” a piece addressing complex themes such as climate anxiety, technological advancements, and the pressures of modern life within a capitalist framework. Their piece is a vivid tapestry of feelings and experiences, set against a backdrop of both dystopian and queer subcultures, exploring generational experiences, and the overarching sense of societal pressure.
Maiya Leeke’s “To Loss and Hope” articulates the intimate struggle and resilience experienced through illness. As a choreographer who performs from a wheelchair, Leeke blends musicality and movement to express profound personal insights on dealing with loss and rediscovering hope. The piece is a testament to facing personal challenges with fortitude and optimism.
Each of the choreographers reflects on their roles as artists, highlighting the responsibilities they feel to inspire, challenge, or bring comfort to audiences. While Mulenga discusses art as a tool for comfort and disruption, Makwana emphasises creating an inclusive space for others to thrive and be inspired. Roseann & Sula underscore the critical voice of art as an act of resistance, and Leeke envisions art as a medium to navigate life’s experiences.
As they look to the future, each artist is keen to expand their creative horizons. Mulenga plans to develop a full-length solo piece and aspires to enter the film industry. Blue Makwana anticipates more exciting projects, while Roseann & Sula seek balance and inspiration in both their art and personal lives. Similarly, Leeke continues to explore her artistry and seek joy in her creative journey.
“Four” is a unique blend of personal narratives and cultural reflections, promising audiences an introspective and engaging experience when it premieres at Sadler’s Wells.
Source: Noah Wire Services